May 17-June 3, 2017
at Patchogue Theatre
Newsday
Steve Parks
“Rent” has come of age. It’s been 21 years since it opened on Broadway in the wake of tragedy and a rush of adrenaline and urgency. I won’t calculate here the number of minutes in 21 years — 21 “Seasons of Love” — other than to note that it would require too many syllables for a comprehensible lyric.
As directed at Gateway Playhouse by Matt Karris, who, with the show’s leading character and narrator, shares a passion for filmmaking, this “Rent” reminds me more than earlier incarnations that the one-word title has double meaning. Sure, the landlord wants his former roommates to pay up or get out. But rent also means tearing things apart, including lives and relationships.
Aside from the poverty of these struggling young artists and misfits in the East Village’s Alphabet City (Brittany Loesch’s ramshackle urban set), AIDS is rending their lives asunder. Angel, a drag-queen percussionist affectionately played by Andres Quintero, is dying of full-blown AIDS. He’s cared for by his partner, Tom Collins (Jared Dixon), an NYU tutor who’s beaten up for his sexuality. Roger and his roommate, Mark, the wannabe filmmaker, are freezing on Christmas Eve in a heretofore rent-free apartment. Played with the gloom of ineffectual denial by Anthony Festa, guitar-playing Roger and his off-and-on girlfriend, Mimi, are both HIV positive at a time when the disease was only marginally treatable. Mimi, a stripper played with ferocious intensity by Michelle Veintimilla, is better at denial, though heroin has left her in worse shape.
Maureen (Natalie Storrs), a bisexual performance artist who dumped Mark to be with Joanne (feisty Moeisha McGill), stages a protest against Benny (Kyle Robert Carter), the landlord who reneges on his rent-free promise. Mark films the happening in hopes of selling it to an alternative news outlet. As the least dysfunctional one in the bunch, Mark is played with an even keel by Jeremy Greenbaum.
But it’s the ladies who steal their scenes — Storrs in Maureen’s defiant “Take Me as I Am” and Veintimilla’s Mimi in “Without You,” sung with Festa. However, the volume distorts the vocals on some higher registers. Andrew Austin’s band sets a torrid pace, though it takes its time on the “Chorus Line”-style delivery of the signature “Seasons of Love,” choreographed by Gerry McIntyre.
Judging by the near-sellout opening-night crowd, “Rent” will pay off as The Gateway’s summer season opener.
Long Island Advance
Tara Smith
It feels strange to think about the legacy of “Rent” 21 years after it premiered on Broadway, since the show’s late creator, Jonathan Larson, was one for living in the moment. “Forget regret. Or life is yours to miss.” I was 3 years old when “Rent” made its Broadway debut, but as a teenager I may as well have tattooed those lyrics onto my arm. All I had to go on was the original Broadway soundtrack and the 2005 film, knowing that at every high school Blue Masques audition, a hopeful cast member would sing “Take Me Or Leave Me.” During the opening last week, the woman sitting to my left was also bobbing her head to the beat. At one point, I heard her whisper, “I feel like I’m 16 again.” Needless to say, seeing “Rent” live on stage was a truly special evening. This “Rent,” directed by Matt Karis and choreographed by Gerry McIntyre, kicks off Gateway Playhouse’s 68th season. The production is fantastic, detailing a year —or 525,600 minutes — in the lives of eight friends who make up some of the most marginalized populations, through the eyes of Mark, who decides to “shoot without a script” and document the year on camera. There’s Roger, a songwriter struggling with the loss of his girlfriend to AIDS; Mimi, a dancer and junkie; Collins and his partner Angel, a drag queen, both battling AIDS; Mark’s ex-girlfriend Maureen and her girlfriend Joanne, and Benny, roommate-turned-landlord of Mark and Roger. Jeremy Greenbaum nails the role of Mark, taking a nerdy and lighthearted approach with crisp and clean vocals. Your heart will break for Anthony Festa, who plays a brooding and belting Roger. His grittiness is perfectly matched by Michelle Veintimilla’s portrayal of Mimi. The Selden native (Firefly in “Gotham”) transitions from screen to stage effortlessly. She is as much elegant as she is raw on stage, seen in her high-energy number, “Out Tonight.” As Benny, Kyle Robert Carter strikes a balance between hero and villain. As Maureen and Joanne, Natalie Storrs and Moeisha McGill are a pleasure to watch. The energy of their on-and-off-again relationship provides both comic relief and hope. McGill and Greenbaum’s face-off in “Tango: Maureen” was a rousing, standout number. There is not one weak link in the casting, but Jared Dixon as Tom Collins and Andres Quintero as Angel Schunard steal the show. Dixon’s brave optimism soars in the daydream of “Sante Fe.” Quintero plays a fearless Angel, flawlessly busting moves in heels and bringing much-needed energy to a doom-and-gloom story. Despite their doomed battle with HIV/AIDS, the pair is desperate for love and life. Their chemistry is easily the most believable. I could listen to those riffs day and night in “I’ll Cover You.” Perhaps the most heart-wrenching moment in the show is Collins reprising “I’ll Cover You” at his lover’s funeral, a sincere tribute to a romance that tugs at even the most cynical heartstrings. This young cast works magic on a minimalist set that highlights colorful costumes and serves as a backdrop for powerful choreography. McIntyre’s seemingly simple steps are nuanced enough to match the movement and madness of New York City in 1989; at times, it seems the company really are dancing as if it’s their last day. As Act II began, my boyfriend laughed at me for tearing up at “Seasons of Love.” While explaining to him how sacred of a musical text “Rent” is, my hot-take was that “Seasons of Love” was my least favorite number, a played-out cliché. Perhaps years of singing the alto part in high school choirs jaded me; hearing it live moved me. Amma Osei brought the house down with her powerful solo. Scanning their faces as the company stood side-by-side at the edge of the stage, each looked connected to the words, smiling in a blurred moment between actor and character. I wondered, seeing how young they were, if any of them had ever sung that in a choir growing up. Gateway’s “Rent” is as bold, brazen and beautiful as ever, reminding all of us to live for the moment.
Dan's Papers
Genevieve Horsburgh
The Gateway Playhouse’s 2017 season has begun in a big way with the iconic rock musical Rent making its debut in Bellport. With music and lyrics by Jonathan Larson, the Broadway production of Rent garnered much acclaim from critics, and went on to win several Tony Awards before its 12-year run came to a close. The captivating story of a unique grouping of friends has acquired quite a following, and its success led to a film version in 2005 that included many of the original Broadway cast members.
Gateway has yet again delivered on its promise to bring Broadway caliber productions—and talent—to Long Island, as its version of Rent is nothing short of magical. From the explosive, heart-wrenching music to the undeniably talented actors, Gateway’s Rent is everything you want it to be.
Set in the lower east side of Manhattan, Rent takes you on a year-long journey through the lives of a group of friends living in a gritty area where poverty runs deep, drugs are commonplace and disease lurks everywhere. Gateway’s extraordinary cast expresses the power of love and hate, displaying full commitment to the show’s sweeping narrative and complex characters. In the first big number, the namesake song “Rent” immediately sent goosebumps up my arms. The familiar face and voice of Anthony Festa, as heartthrob Roger, was a welcome sight and sound. Playing the heartsick, world-weary ex-guitarist frontman, Festa makes the perfect Roger: mussed up hair, leather jacket and devilishly handsome with a voice to stop your heart. Jeremy Greenbaum, as the dorkishly adorable Mark, is witty and self-deprecating. He and Roger belt out the first number so well, you just know there’s greatness to come. Roger’s ballad, “One Song Glory,” is easily a favorite and Festa didn’t disappoint. The raw emotion he brings is riveting, immersed in the sadness Roger feels at the moment.
The vivacious, sexy Mimi is played by Michele Veintimilla, a perfect choice for leading lady. Sultry yet graceful with a commanding voice, Veintimilla hits this show out of the park. Mimi’s duet with Roger, “Light My Candle,” never fails to bring a smile to my face, and seeing it live is indescribably fun and exciting. Mimi’s solo, “Take Me Out Tonight,” is also one of my favorite numbers, and Veintimilla strutted her stuff across the stage, showing that she has the moves and vocals it takes to be one stellar, strong and captivating performer.
Another favorite duo of mine is Collins and Angel. Collins is tall, dark and broodingly handsome, with a sexy baritone voice to match. Jared Dixon plays a somewhat softer version of the Tom Collins in my mind, but his performance was touching and sweet, and his interaction with Angel, played by the talented Andres Quintero, was heartbreaking. Their tender love is one of the sweetest aspects of this story, and this production captures it perfectly. “I’ll Cover You” brought a tear to my eye. We should all be lucky enough to find a love like that of these two characters.
The raucous scene, “La Vie Boheme,” will have you clapping along and bobbing your head to the infectious beat, while watching an incredibly talented cast perform an iconic scene that will replay in your head for a long time to come. “Seasons of Love” is one of my all-time favorite ballads, and this cast put all of themselves into the number. I felt this one in my soul—I wish I could watch it over and over again. This cast of crazy-talented performers is mind blowing. These songs’ lyrics cannot simply be sung—they must be felt by those singing, and in turn the audience will feel the emotion emanating from the performers.
Rent is a story that teaches us about humanity, loving despite differences, and compassion for others. Above all, however, Rent teaches us about the power of love, reminding us to cherish that emotion every second of every day.
BroadwayWorld.com
Melissa Giordano
I'm always cautiously optimistic in seeing a regional production of Jonathan Larson's Rent as I am a Renthead of MANY years. The thing to remember, obviously, is art has different interpretations. It is interesting to see the different elucidations of the choreography, the varied choices the actors make, the Director's vision, et cetera. I can proudly say that The Gateway Playhouse's incarnation of the Tony and Pulitzer winner, which is kicking off a very busy Summer season for the darling Bellport venue, does not disappoint.
Having a twelve and a half year run on Broadway, this game changing production, set to a rock-opera score, is loosely based on Giacomo Puccini's opera La Bohème following the lives of several impoverished New York City artists at the height of the AIDS epidemic of the late 1980's/early 1990's.
Running through June 3rd, The Gateway's ensemble cast, excellently directed by Matt Karris, includes Gateway vets Jeremy Greenbaum and Anthony Festa as longtime friends Mark Cohen and Roger Davis, respectively. Mark is a struggling, independent videographer and also serves as the story's narrator. Mr. Greenbaum is a fine choice to portray the adorkable Mark. A great voice makes him a natural for the role. Mr. Greenbaum and Mr. Festa make a great team particularly with their rendition of audience favorite "What You Own" in Act II. Mark is roommates with Roger, a once successful musician but is now struggling to cope with life with AIDS and is a recovering drug addict. Mr. Festa is also a smart choice for the role of Roger. Another audience favorite is his heartbreaking rendition of the hit "One Song, Glory" where he tells about wanting to leave a meaningful song after he dies.
Without question, one of the most overwhelming performances is delivered by Queens native Jared Dixon as Tom Collins. His rendition of the reprise of "I'll Cover You" brings the audience to tears. Additionally, Michelle Veintimilla, another Gateway alum who portrays Mimi, is a highlight. Mimi is a dancer and junkie who lives downstairs from Mark and Roger's apartment. Ms. Veintimilla is spot on with Mimi's hopeful demeanor and puts on a superb performance of "Out Tonight".
Also part of the stellar cast is Andres Quintero as Angel Dumott Schunard, Tom Collins' drag queen partner. Mr. Quintero is an exceptional Angel and he makes tears overflow particularly in act two. Natalie Storrs provides the comic relief as Maureen Johnson, a performance artist and Mark's ex-girlfriend. Indeed Ms. Storrs is hilariously animated during the protest performance "Over the Moon". Maureen has left Mark for Joanne, portrayed phenomenally by Moeisha McGill, they give a buffo rendition of "Take Me Or Leave Me".
Truth be known, I really could go on and on about the entire company, but you got the idea they are a brilliant company.
As for Mr. Karris' creative team, scenic designer Brittany Loesch got the true flavor of the story in her set. A broken down East Village dons the stage; dark and angst ridden. This is enhanced stunningly by Jose Santiago's top-notch lighting and Dustin Cross' costumes. And a special kudos to the outstanding live orchestra headed up Music Director Andrew Austin. The band is not on the stage for Gateway's run as they have an orchestra pit.
And so, there is "no day but today" to see Jonathan Larson's Rent at The Gateway Playhouse. Typically we Rentheads say "Thank You, Jonathan Larson". However, today I am also going to say Thank You Mr. Karris, wonderful cast, and fantastic creative team for a job well done.
Jonathan Larson's Rent is presented by The Gateway Playhouse of Bellport, Long Island, through June 3rd. For more information and to purchase tickets, call (631) 286-1133 or visit www.thegateway.org.
Created by Jonathan Larson, Directed by Matt Karris, Choreography by Gerry McIntyre, Musical Direction by Andrew Austin, Lighting Design by Jose Santiago, Costume Design by Dustin Cross, Scenic Design by Brittany Loesch, Stage Management by John "JP" Pollard, Casting by Michael Baker.
With Amar Atkins, Kyle Robert Carter, Mike D'Amico, Jared Dixon, Jerome Doerger, Anthony Festa, Jay Gamboa, Jeremy Greenbaum, Alexa Jane Lowis, Moeisha McGill, Amma Osei, Andres Quintero, Natalie Storrs, Dustin Sullivan, Michelle Veintimilla, and Hannah-Jo Weisberg.
DC Metro Theatre Arts
Kristen Weyer
The Gateway Playhouse opened its 68th Season with the Pulitzer and Tony Award-winning musical, RENT. With book, music, and lyrics by Jonathan Larson, this artistic musical is loosely based on Giacomo Puccini’s opera La Bohème. Directed by Matt Karis and choreographed by Gerry McIntyre, RENT is a fantastic production.
It’s the East Village of New York City at the turn of the new millennium. The dirt and grunge is thick on the surfaces and so potent in the air you can almost taste it. It is the home of artists and lovers, junkies and hedonists, many of whom are living with and slowly dying from AIDS. Mark (Jeremy Greenbaum) is an aspiring documentarian, constantly filming his roommate Roger (Anthony Festa) and their friends. He records their lives, their fear and despair, their dreams and loves. We follow them for a year, from Christmas to Christmas, witnesses to all of their “Seasons of Love.”
This cast is phenomenal. Not only are there many songs, but most of the dialogue in this show is in musical format as well. This half sung/half spoken structure is very difficult to execute, but this cast nails it. Greenbaum performs superbly as the slightly nerdy Mark. His clear and pleasing voice, combined with excellent facial expressions, add charm to his character. Festa once again gives a stunning performance at Gateway. He was last seen here playing Drew in Rock of Ages. Now, as Roger, his incredible rock vocals are again on display, notably in “One Song Glory.” The believable raw emotion with which he portrays Roger’s struggles will tug at your heart strings.
Michelle Veintimilla plays the tortured Mimi stunningly. Her beautiful voice, and enticing mix of graceful and sensuous movement are perfect for her character, and come to combined fruition in “Out Tonight.” Natalie Storrs as Maureen, and Moeisha McGill as Joanne portray this high-emotion, on again/off again couple extremely well. Joanne’s frazzled patience, and Maureen’s eccentricities come through wonderfully. Storrs’ execution of Maureen’s performance is inspired, and McGill and Greenbaum’s duet of “Tango Maureen” is definitely a highlight.
Tom Collins is touchingly portrayed by Jared Dixon. His marvelous vocals ring throughout the theater and are a pleasure to listen to. Drag Queen Angel is energetically and sweetly played by Andres Quintero. Kyle Robert Carter adds just the right amount of confident swagger for the stuck-up Benny. The entire cast does a tremendous job with this challenging show. The well-known number “Seasons of Love” was extraordinary, and power-house Amma Osei amazes with her solo.
The fabulous set by designer Brittany Loesch was impeccably styled. The metal and brick multi-layered set accomplished exactly what was needed and complimented the feel of the story. Lighting Designer Jose Santiago brilliantly lit the stage with effects of light and shade, while great costumes from designer Dustin Cross completed the characters. The band, under direction from Andrew Haile Austin, played the frequently dissonant and discordant score with aplomb. Rent is a raw and emotional look into love and life.
